
He finds the chamomile and tips a couple extra drops onto a white snowball, making the top of it turn blue. Then the door opens, and he walks through it. For the next 15 minutes, Talmadge, 39, will whip a towel through thick, sticky air to push waves of heat and scent toward 200 naked strangers, including a six-person jury. Aufguss is a sauna ritual; a performance is called a set, and the most elite of them combine choreography, scent, storytelling, steam, and stamina. A competitor—known as a sauna master—enters the sauna to music and places a scented snowball on the hot rocks, then disperses its aroma with their towel. For every one of three or four song changes, another snowball goes on the stove. Contestants are forbidden from drinking water, and judges dock points if they appear fatigued. Within the span of his set, Talmage’s heart rate will hit about 195 beats per minute, according to the Whoop he wears on his left wrist. This is the Aufguss Show World Masters. Forty solo sauna masters from 19 nations have come to Satama, a lakeside resort, after qualifying in their national championships. (via GQ)
The six-year quest to find the mystery woman in an 18th-century painting

Adam Harris Levine stood before the 18th-century painting, completely stumped. The 30-year-old curator at the Art Gallery of Ontario had been scrutinizing a portrait of a young Black woman bedecked in jewels and wearing a shimmering blue gown with pearls around her neck and wrists. Portrait of a Lady Holding an Orange Blossom — the woman holds a sprig of white flowers in her right hand — hung in the gallery near masterpieces by Rubens and Rembrandt. Yet when Levine first stared at her in 2020, he had no idea who had painted her or who the woman even was. Levine set out to solve the mystery. It led his team to sift colonial-era archives and convince families to share fragile letters revealing ugly histories. Early on, they crowdsourced tips through a podcast, garnering help from amateur genealogists listening in. Today, the Art Gallery of Ontario believes that it knows who its mystery girl is and who painted her — the art-historical equivalent of finding a needle in myriad haystacks. (via the WSJ)
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