
From a building nearby, York Factory, once a hub of Canada’s fur trade but now a historic site, a groundskeeper noticed what he thought was a wolf on the river’s edge. A Norwegian musher and adventurer, 29-year-old Steffen Skjottelvik, was due to arrive that day. They were sure he would have stories, especially from the coast, which people rarely traversed on foot. They would feed him burgers and offer him a bed. Steffen was crossing Canada in stages, trying to reach Alaska over a multiyear trek. A number of mushers found his journey through Facebook and were enamored by both the ambition and the charm of it. Steffen was dog-sledding in an old-fashioned way: human and dogs in the wilderness, not racing to a finish line but simply living on the trail. Upon reaching York Factory, he would have traveled nearly two years, crossing over 700 miles by foot, dog sled and canoe. But Steffen didn’t arrive. (via the New York Times)
The founders of Tears For Fears started a band so they could afford Primal Scream Therapy

What band’s saga is as richly absurd as that of Tears For Fears? Many bands’ histories are sadder — INXS, Joy Division, Nirvana, the Go-Betweens, the Band — and many are darker — the Stones, Zeppelin. Some unlucky bands carry with them a history that is both sad and dark — the Sex Pistols (murder-suicide), the Gits (femicide), The Beach Boys (ephebophilia, exploitation of the mentally ill), the Mamas and the Papas (incest). But no band’s story, I maintain, can be enjoyed so fully for its sheer zaniness, without making you hate any of the protagonists, as that of Tears For Fears. A normal band forms because the members love music and/or want to get laid. But by the time they quit Neon and Graduate to strike out on their own, they had another, overriding reason for being in a band: they wanted to make enough money to get Primal Scream therapy, in its pure and undiluted form, from Dr. Arthur Janov. (via Saccades and Fixations)
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