Author: Mathew Ingram

via Ryan Broderick’s Garbage Day newsletter:

“The way I see it, the jaw-dropping speed of generative AI’s embrace is essentially a large-scale acknowledgement that modern life is sort of miserable and that most people don’t actually care if anything works anymore. Which is, honestly, fair. Our lives are full of tasks that no one wants to do that offer little reward for doing them well. The systems we live, work, and create inside of are simply too large to comprehend or really care about. I mean, at this point, pretty much everyone I know in an office job that isn’t in media is using ChatGPT at work basically all of the time. But as more companies push to integrate themselves into AI platforms, it’s also revealing that they don’t really care either. The institutions and industries responsible for these systems we all hate don’t want to maintain them either. And we know this because there is simply no way you can say you care about something if you replace it with AI. You can’t say you care about audio production if you replace voice actors. You can’t say you care about food service if you replace drive-thru workers. You can’t say you care about advertising if you replace copywriters. What you care about is speed, scale, and, if this stuff works correctly, money.”

via Ryan Broderick’s Garbage Day newsletter:

“The way I see it, the jaw-dropping speed of generative AI’s embrace is essentially a large-scale acknowledgement that modern life is sort of miserable and that most people don’t actually care if anything works anymore. Which is, honestly, fair. Our lives are full of tasks that no one wants to do that offer little reward for doing them well. The systems we live, work, and create inside of are simply too large to comprehend or really care about. I mean, at this point, pretty much everyone I know in an office job that isn’t in media is using ChatGPT at work basically all of the time. But as more companies push to integrate themselves into AI platforms, it’s also revealing that they don’t really care either. The institutions and industries responsible for these systems we all hate don’t want to maintain them either. And we know this because there is simply no way you can say you care about something if you replace it with AI. You can’t say you care about audio production if you replace voice actors. You can’t say you care about food service if you replace drive-thru workers. You can’t say you care about advertising if you replace copywriters. What you care about is speed, scale, and, if this stuff works correctly, money.”

A poem by Lorine Niedecker, via Matthew Ogle’s Pome

My friend tree

I sawed you down

but I must attend

an older friend

the sun

From Giles Tremlett at The Guardian: “On 22 April 1984, a sandy-haired, ringleted two-year-old girl named Elvira was driven with her brothers, Ricard and Ramón, aged four and five, to a grand railway terminus in Barcelona. The children, dressed in designer clothes, rode in a white Mercedes-Benz driven by their father’s French friend Denis. He parked near the modernist Estación de Francia and walked them into the hangar-like hall, which had shiny, patterned marble floors and was topped by two glass domes. Once there, he told the children to wait while he bought sweets. The three siblings waited, but Denis did not return. Eventually, Elvira started crying. A railway worker asked what was wrong and Ramón, who spoke French and Spanish, explained. The police were called, but when they asked the children their parents’ names, they did not know. Nor could the children give their own surnames, or say where they lived – except that, until recently, it had been Paris.”

How Edgar Allen Poe pranked New York City, and inspired Jules Verne

From Rebecca Romney at Mental Floss: “On April 13, 1844, a special extra of the New York Sun announced: “ASTOUNDING NEWS! … THE ATLANTIC CROSSED IN THREE DAYS! SIGNAL TRIUMPH OF MR. MONCK MASON’S FLYING MACHINE!!!” According to the article, a balloon heading from England toward Paris had been blown off-course and landed safely near Charleston, South Carolina. The “report” was submitted by a journalist who was also a well-known short-story writer: Edgar Allan Poe. There was just one problem. He had made the whole thing up. “The Balloon Hoax,” as it later became known, was Poe’s idea of a calling card. He had just moved to Manhattan. What better way to announce you’ve arrived than to prank an entire city?”

Note: This is a version of my personal newsletter, which I send out via Ghost, the open-source publishing platform. You can see other issues and sign up here.

Continue reading “Three abandoned children and a 40-year mystery”