
From The Guardian: “Jordan Hatmaker knew something was wrong as soon as she tried to open her parachute. “You’re meant to look up to check: is it there? Is it square? And is it stable?” she says. It was none of those things. This was the second time that day that she and her skydiving coach had leapt from an aircraft 13,500ft above the fields of Suffolk, Virginia. Hatmaker was 35, and 10 jumps away from securing her skydiving licence. She and her coach had agreed to freefall to 4,000ft; as her training progressed, she was able to deploy her parachute at increasingly lower altitudes, and this was the lowest she had ever gone. Hatmaker activated her pilot chute and immediately knew something was wrong. The force of the inflation is designed to trigger the release of the main canopy, but instead, the pilot chute became wrapped around her leg in a malfunction known as a horseshoe. “I thought to myself: ‘This is going to hurt.’”
There’s a song written on a sinner’s buttock in Bosch’s painting The Garden of Earthly Delights

From Open Culture: “An enterprising blogger named Amelia transcribed, recorded, and uploaded a musical score straight out of Hieronymus Bosch’s The Garden of Earthly Delights, painted between 1490 and 1510. The kicker? Amelia found the score written on a suffering sinner’s butt. The poor, musically-branded soul can be seen in the bottom left-hand corner of the painting’s third and final panel, wherein Bosch depicts the various torture methods of hell. The unfortunate hell-dweller lies prostrate atop an open music book, crushed by a gigantic lute, while a toad-like demon stretches his tongue towards his tuneful buttocks. Another inhabitant is strung up on a harp above the scene. Although we can’t ascertain why Bosch decided to write out this particular melody, since scant biographical information about the painter survives, it’s possible that he decided to include music because it was viewed as a sign of sinful pleasure.”
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