
The cathedral in Cervo


Links that interest me and maybe you





The Mole (mo-lay in Italian) is an iconic building in Turin, mostly because the rest of the city has a height limit that makes the Mole stick out even more than it would otherwise. It is the tallest unreinforced building in the world — meaning it has no skeleton of metal girders, as most tall modern buildings do. It was originally built as a synagogue, and the spire is quite spectacular close up. It is now the museum of the motion picture, which commemorates the fact that the Lumiere brothers developed the first moving pictures in Turin in the 1800s, despite being French by birth (Turin has historically had a very French flavour).

The temple of Saint Michael the Archangel sits on a hill about 20 minutes outside the gates of the old city of Perugia in Italy, and was built sometime in the 5th century. It was originally a pagan temple, and at some point became a Christian church. It is open to the public and has a unique wooden circular dome, and inside there are alcoves distributed around the circular walls for christenings, etc.

This is one of the venues at the International Journalism Festival in Perugia, which I’ve been to a number of times . It’s the former San Francesco al Prato church or the Church of Saint Francis in the Meadow, and it was derelict and half destroyed for decades — due to landslides, earthquakes, floods and general neglect — before being renovated and turned into a conference venue. The original building dates back to the 1200s sometime, but in the 1800s they tried to renovate it and wound up almost destroying it. It was reconstructed in its current state in the 2000s.
I find it fascinating whenever Anthropic in particular comes out with either a new AI model or a note about what it has learned about an existing model, because the responses almost always fall into one of two camps: the first is the “Oh my god, we’re all going to die” camp, or some variation on that theme — in other words, expressions of amazement at how advanced AI has become, how it is basically conscious, etc. and how it will inevitably lead to the destruction of humanity as we know it. And the second is the “What a load of BS, this is ridiculous, AI is just a glorified typewriter with text prediction built in, Anthropic is drinking its own bathwater” camp, or variations on the same. The latter group will usually argue that all of the blather from Anthropic about how dangerous or interesting or intelligent its new model is amounts to a glorified marketing campaign.
This line of thinking emerged early on in the rise of modern AI: the idea being that companies like Anthropic will want to make their models sound smart and/or dangerous because that will encourage companies to buy it and also convince governments to put them in charge of regulating it. It’s a little like the Boy Who Cried Wolf fable, except the boy in this case is also trying to sell shares in Wolf Inc. to venture capitalists, because he spent $300 billion building the animatronic wolf, and he’s also hoping to sell the townsfolk on letting him handle the wolf problem on account of he’s such a wolf expert. Of course, the one thing that almost all references to this story forget to include (except Ben Thompson at Stratechery) is that the wolf actually showed — I’m sure the knowledge that they were right about the boy fibbing was very comforting as all of their sheep were eaten 🙂
The most recent argument of this kind came from David Sacks, a prominent Silicon Valley venture capitalist and the “AI Czar” at the White House, after Anthropic exec Jack Clark — a former journalist with Bloomberg — wrote a Substack post called “Technological Optimism and Appropriate Fear,” in which he mused about the intellectual qualities of his company’s AI. Here’s how Clark phrased it in his post (which I discussed here):
We are growing extremely powerful systems that we do not fully understand. Each time we grow a larger system, we run tests on it. The tests show the system is much more capable at things which are economically useful. And the bigger and more complicated you make these systems, the more they seem to display awareness that they are things. It is as if you are making hammers in a hammer factory and one day the hammer that comes off the line says, “I am a hammer, how interesting!” This is very unusual!
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Continue reading “Anthropic’s new Mythos model: Dangerous or over-hyped?”

In 1966, when seamstresses at the International Latex Corporation arrived at its new Apollo Suit shopfloor in Frederica, Delaware, they were essentially “taught to sew again from scratch.” And for good reason: Compared to the company’s bras and girdles, the craftsmanship needed to fashion a spacesuit was, in every sense, out of this world. The journey to this point had been improbable for a company whose grand name had initially belonged to a single founder and salesman, Abram Spanel, selling mail-order girdles through magazine ads. It was only thanks to one of Spanel’s first employees — his own TV repairman, MIT dropout Leonard (Lenny) Shepard — that ILC maintained a small “industrial” division researching government contracts. Shepard was optimistic that the firm’s expertise in rubber, nylon, and strapping could provide an answer to work in space. (via MIT Press)

Canadian-born actor Michael J. Fox, while working on a CBC sitcom as a teenager, contracted a virus that some researchers say may have caused him to later develop Parkinson’s disease. Fox worked on show Leo and Me in Vancouver in 1977. Researchers studying the degenerative disease theorize that exposure to viruses or environmental toxins can trigger its onset years later. According to Dr. Donald Calne, director of the Neurodegenerative Disorders Centre at the University of B.C. Hospital, Parkinson’s can develop in clusters of people. Fox is one of four Leo and Me workers who have been diagnosed with Parkinson’s, which leads to muscle rigidity, tremors and involuntary movements. Japanese researchers have established that a virulent form of the flu, caused by a virus, can make its way into the same part of the brain that Parkinson’s attacks. (via the CBC)
Note: This is a version of my When The Going Gets Weird newsletter, which I send out via Ghost, the open-source publishing platform. You can see other issues and sign up here.
Continue reading “When a bra maker got the job of making the first NASA spacesuit”
Brown says he was unaware his mother sold cocaine to support the family and while away, he decided to fry chicken, a meal his mother taught him to cook. He grabbed a bag of what he believed was flour to coat the chicken. His mother would later return, elated he took initiative to cook dinner, but soon realized he mistook the bag of cocaine for flour. “I was 10. So I didn’t recognize the strange smell emanating from the pan,” Brown writes. “After I had taken a few bites and feeling weirder with each bite, my mother walked in. With horror she realized what I had done,” he wrote. “I fried chicken in her cocaine — a radical new addition to the family’s culinary offerings. Cocaine chicken.” Brown says his mother never explained to him what he did, but months later he figured it out. (via Vibe)

A ballerina with Amyotrophic Lateral Sclerosis (ALS) says she was able to dance again after her brainwaves were used to power an avatar live on-stage in Amsterdam. Breanna Olson, a mother of three, found out two and a half years ago she had ALS, the most common form of motor neurone disease (MND) and which, with no known cure, weakens muscles and over time affects speech, swallowing and breathing. However, using sensors to measure the electrical activity transmitted from her brain, her motor signals could be converted into an digital avatar. Breanna used an electroencephalogram (or EEG) headset to capture her brain activity and specific motor signals associated with imagining certain dance movements. A brainwave interface translating these signals into computer instructions then allowed her to convey which of these movements she wanted her mixed-reality avatar to dance in real-time. (via the BBC)
Note: This is a version of my When The Going Gets Weird newsletter, which I send out via Ghost, the open-source publishing platform. You can see other issues and sign up here.
Continue reading “Bobby Brown fried chicken in cocaine when he was 10”

by Matthew Olzmann