
A 400-year-old grave held the body of a young woman, the rusted blade of a sickle over her throat and a padlock fastened to her foot — the macabre signs of a community terrified the deceased would rise again. Archaeologists unearthed Zosia, as the skeleton was nicknamed, from an unmarked burial site in 2022 near the village of Pień in northern Poland. Now, some of the same scientists have published the first systematic research on Zosia, using ancient DNA and other cutting-edge analyses in an attempt to understand who the woman was, how she died, and why she, and perhaps others buried in the same field around 400 years ago, appeared to have been feared as vampires or demons. Several feature body arrangements or objects that the study described as deviant or atypical. These included a child buried face down, a skeleton positioned as in a crucifixion, graves with stones placed around the skull as if to prevent biting or movement, as well as other graves with sickles and padlocks. (via CNN)
This Arkansas fiddler made her debut at the Grand Ole Opry when she was 99

Violet Hensley, who grew up in Arkansas learning from her father how to carve and play a fiddle, and whose nearly 60-year performing career reached its peak at age 99, when she debuted at the Grand Ole Opry, died on Aug. 7 at her home in Yellville, Ark., in the Ozarks. She was 109.Her daughter Sandra Flagg, a guitarist, confirmed the death. By the time she turned 99, Ms. Hensley had performed old-time mountain music — not bluegrass, which she deemed too fancy — at the Silver Dollar City theme park in Branson, Mo., for more than 50 years; played on radio stations and at schools; recorded at least two albums, one of them, with family members, called “Old-Time Hoedowns”; and appeared on TV programs like “Captain Kangaroo,” “The Beverly Hillbillies” and “Live! With Regis and Kathie Lee.”She also handcrafted 73 fiddles — she played No. 4, which she made in the 1930s — thus acquiring nicknames like “The Whittlin’ Fiddler” and “Stradivarius of the Ozarks.” (via the NYT)
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