50 Cent: Piracy Is Part Of The Marketing

Mike Masnick at Techdirt (who got profiled at CNET recently) writes about rapper 50 Cent’s approach to piracy:

Famed rapper 50 Cent (Curtis Jackson) was apparently on CNBC recently talking about his “business acumen.” I have to admit that having three different people all trying to interview him at once is rather annoying — as they almost never let him complete a thought. However, when they ask him about piracy, and whether or not it makes him angry (around 2 minutes), he responds that: he sees it as a part of the marketing of a musician, because “the people who didn’t purchase the material, they end up at the concert.” He says that people can fall in love with the music either way, and then they’ll go to concerts. He notes that you can’t stop piracy either way, so why try to fight it? He also talks about other business opportunities for musicians.

Posted via web from mathewingram’s posterous

meshmarketing is almost here!

A few months ago, the mesh team — in other words, Rob Hyndman, Mark Evans, Stuart MacDonald, Mike McDerment and I — announced a new event we’re calling meshmarketing, a one-day series of keynotes, presentations and in-depth workshops about online and digital marketing ideas and tactics. During the summer months, we’ve been lining up some world-class speakers and marketing experts for the event, and we wanted to get as many details about it out there as possible, because the event is coming soon (October 22 at CIRCA) and tickets are relatively limited.

In a nutshell, meshmarketing is focused on insights, tools and tactics that are designed to help you get more out of the growing online marketing and advertising markets. It’s designed to provide you with ideas and perspectives on the key trends but also practical and valuable knowledge that you put into action immediately. You can register here.

Our keynote speaker is Hugh MacLeod, a popular cartoonist, author and marketing thought-leader. We also have two though-provoking panels to kick off the event: the first looks at how competition is heating up between PR, traditional ad agencies and digital shops, with each one trying to take the lead in the competitive online arena. Featured on the panel are Mia Wedgbury, president of Fleischman-Hillard Canada; Katherine Fletcher, a senior partner with iStudio and Jill Nykoliation, president of Juniper Park.

The second panel looks at the merging of marketing and social media, and will tackle the thorny issue of how to blend the two successfully. This panel includes Mitch Joel, president of Twist Image and author of the new book, Six Pixels of Separation; and Ferg Devins, chief public affairs officer for Molson Coors, who leads Molson’s social media activities.

The rest of the day features a series of workshops, filled with hands-on, practical tools and knowledge. A big part of the inspiration for meshmarketing came from feedback we got at mesh, where people said they wanted more focused and practical insights and tools about marketing and the online world, so we’re hoping these workshops fit the bill. They include:

Building Web Properties that Convert, with Dan Martell
Advertising Networks 101, with Mladen Raickovic
Search Engine Marketing/Search Engine Optimization, with Jeff Quip
Generating Customer-Driven Creative, with Andrew Sutherland and Dino Demopoulos
The Keys to Mobile Marketing, with Amielle Lake
Facebook 101 for Marketing, with Elmer Sotto
Social Media Analytics, with Katie Delahaye Paine
Inbound Marketing Campaigns, with Dharmesh Shah

As usual, we’re planning to kick off meshmarketing with a pre-event party and, of course, an after-party. More details on those to come as we get closer to the event. But in the meantime, get your tickets for meshmarketing soon — if mesh is any guide, they will be going quickly 🙂

The future of news in 4 dimensions

C.W. Anderson — @chanders on Twitter — has an update to his recent post at Nieman Journalism Lab, which tried to go beyond the binary “real journalists vs. bloggers” equation to look at online and traditional journalism entities on an axis related to how institutional/open they are and how fact-oriented/commentary-oriented they are.

The future of news in 4 dimensions

By C.W. AndersonSept. 8  /  2:27 p.m.  

September 8, 2009, 2:27 pm

–>

In my last post, I spent a lot of time laying out a fairly abstract framework for how we can think intelligently about future kinds of news organizations. I argued they could be usefully evaluated and charted on four factors: the type of work they do, how institutionalized they are, how many resources they have, and how open they are to outsiders.

But the value of any model lies not in its elegance, but in the degree to which it can help us think about the world in a useful way — the way it can give us “tools to think with,” as the saying goes — and can help us solve practical problems.

Note that by “solve practical problems” I don’t simply mean “figure out a business model for journalism.” Business models are important — but questions like “what kind of journalism best integrates with the nature of 21st-century democracy and society?” are also practical problems. So in this post I want to apply the model to a few real new organizations, describe what problems I think it might help us solve, and answer a few questions raised by my previous post.

Posted via web from mathewingram’s posterous

Kevin Smith Says Pirates Lead To Converts

Mike Masnick at Techdirt notes how director Kevin Smith disclosed his thoughts on piracy during a recent 24-hour Twitterthon question-and-answer session with fans.

Smith seems to have the whole CwF+RtB thing down cold — and has for many years. But, given all of that, I had no idea what his opinion was on the question of “piracy.” While he notes, at one point, that Disney will own the rights to his movies forever, someone asks “How much money do you think your projects have lost to piracy?” to which Kevin responds:

See, I think “How many more converts did I get from piracy?”

Bingo. The smart creator these days looks to use “piracy” to his advantage. Smith has done that and more.

Posted via web from mathewingram’s posterous

Child-safety software sells your kids’ IM conversations to market-research companies

You know that “child-safety” software that monitors your kids’ every click and sends it to some spyware creep whose main profit-center is running national firewalls for totalitarian states who use the same service to figure out whom to hood, kidnap and torture?

Turns out that these same sleazeballs also monitor your kids’ IM sessions and sell the info to market-research companies that want to fine-tune how they sell sugar and explosions to kids.

Software sold under the Sentry and FamilySafe brands can read private chats conducted through Yahoo, MSN, AOL and other services, and send back data on what kids are saying about such things as movies, music or video games. The information is then offered to businesses seeking ways to tailor their marketing messages to kids.

“This scares me more than anything I have seen using monitoring technology,” said Parry Aftab, a child-safety advocate. “You don’t put children’s personal information at risk…”

EchoMetrix, formerly known as SearchHelp, said companies that have tested the chat data using Pulse include News Corp.’s Fox Broadcasting and Dreamworks SKG Inc. Viacom Inc.’s Paramount Pictures recently signed on.

Web-monitoring software gathers data on kid chats (via /.)

Posted via web from mathewingram’s posterous

Gawker offers a personalised news experience

Gawker, the popular news aggregator network, has launched an aggregator for its internal sites. Users can specify what topics from each network they wish to see, and then they are given a unique url with that content aggregated.

There are two places news will be consumed in the future, editorially aggregated sites like Gawker, or The Huffington Post and machine aggregated platforms like Techmeme and Google News. Gawker Hybrid appears to be a splendid blend of the benefits of both worlds.

You can sign in via Facebook Connect, or your Gawker profile – and then you’re instantly presented with an easy to customize view:

Customizing my Gawker Experience

Customizing my Gawker Experience

This is a very cool idea. Don’t let others do the aggregating for you and give readers just what they want — do it yourself.

(via Peter Clark at Online Journalism Blog)

Posted via web from mathewingram’s posterous

Spotify Launches iPhone And Android Mobile Services

LONDON (Reuters) – Spotify, the much-hyped European digital music service, has secured a deal to launch a mobile offering on Apple’s iPhone, iPod Touch and phones using the Android platform, it said on Monday.

Sweden’s Spotify said a mobile application was now available for its premium subscribers in the UK, Sweden, Spain, France and Norway on the three devices, and in Finland for owners of the iPhone and iPod Touch.

The application will allow premium users to access millions of tracks from the service, previously only available via a computer, wherever they go.

Spotify has won plaudits from the music industry, which has been hammered by piracy, for offering a better and smoother alternative to illegal sites. It has more than 6 million users in Europe and over 5 million tracks available.

Users of the service can either listen to music for free and in exchange for watching adverts, or pay a premium fee of 9.99 pounds ($16.37) a month to avoid the ads.

“This is a hugely significant day in Spotify’s short history,” said Gustav Söderström, director of portable solutions at Spotify. “Since our launch last October, we’ve worked hard to provide our users with a high quality service that gives them access to whatever music they want, whenever they want it.”

(Reporting by Kate Holton; Editing by Rupert Winchester)

More From Reuters:

More from wired.com:

Why not in North America?

Posted via web from mathewingram’s posterous

meshmarketing is live

The mesh team — i.e. me, Rob Hyndman, Stuart MacDonald, Mike McDerment, Mark Evans and our indispensable conference planner Sheri Moore — are pleased to announce the launch of meshmarketing.ca, the site that goes along with our new one-day marketing event. Meshmarketing takes place on October 22 at Circa, and we have a number of fantastic speakers and panelists to announce.

The highlight is none other than the inimitable Hugh MacLeod, the artist known on Twitter as @gapingvoid. We’ve also got Mitch Joel of Twist Image, Ferg Devins from Molson, the new head of Facebook Canada Elmer Sotto, Mia Wedgbury, Dharmesh Shah and a host of others who will share their online marketing success stories and principles with you.

The idea behind meshmarketing is to spend a day focusing on the key insights, tools and tactics you need to help you win customers’ hearts and minds, online. In addition to Hugh’s keynote, we will have a series of “show and tell” presentations, as well as in-depth workshops. As with any mesh event, all of the presentations and panels and workshops will be as interactive as possible, so that you can connect, share and inspire each other. And we’re planning some inspiring social events as well 🙂

You’re spending more and more of your marketing budget building your business online. But are you making the right calls? Is display the way to go? What about search? Social Media? Community? Video? You know that word-of-mouth is one of the most powerful tools you and your company can use to spread the word about your product or service, and the Web is like word-of-mouth on steroids. What’s working and why?

Come to meshmarketing and hear from those who are making those kinds of decisions every day — the people who can help you understand what works, and how to take advantage of it. More details at the meshmarketing site and at the mesh blog.

Gawker, the WaPo and the death of journalism

In yet another exhibit in the ongoing debate about what constitutes fair use online, Washington Post reporter Ian Shapira writes about how Gawker Media “ripped off” a recent story he wrote. In addition to this pejorative (and arguably also inaccurate) description, Shapira also uses a considerable helping of hyperbole in referring to his tale as “The Death of Journalism, Gawker Edition.” He describes at some length how Gawker lifted a liberal number of quotes and other information from his story, which he says he spent hours acquiring through in-person interviews and so on.

So if the Gawker item is a “rip-off,” which most people would take to mean a wholesale plagiarisation of the original, then there must be no reference to the Post story as the source, and no links either, right? Wrong. Shapira notes that Gawker links to his story high up in its piece, but says that there is “no direct mention of the Post.” In other words, linking is somehow not good enough any more. So there’s no reference to the Post at all then? Er, not exactly. There is a link and reference at the bottom of the piece, in the same way that many blog posts use the “via” link. That doesn’t seem to be enough for Mr. Shapira, however.

If you want to look at the facts of this case in more detail, Zachary Seward at the Nieman Journalism Lab has done an excellent job of parsing the specifics, including the number of words in each piece, the number of “original” words, the estimated time it would take to produce each one, and — most importantly — the number of links and traffic to each, and how high each piece ranks in a Google search for the topic (key ingredients in what Jeff Jarvis and others call the “link economy,” a term that some argue is inaccurate, including Tim O’Brien of the NYT).

I think a couple of elements in this case are particularly interesting: One is that Shapira says at the beginning of his piece that when he first came across the Gawker post, he was happy — and even flattered — that the site had referred to his story and linked to it. He only got mad when his editor told him that he should be, saying the website “stole” his story and asking him why he wasn’t outraged. The more he thought about it, the madder he got. Why? Because he did all the work, he says, but apparently didn’t get enough credit (he should try working for a wire service, where that kind of thing is considered routine).

The other thing that’s interesting is that the Gawker item had not one but three links to the Post, and an explicit mention of the source. Shapira admits that these links drove traffic, but seems to be arguing that they just weren’t prominent enough, or not obvious enough, or something along those lines (some, including Alan Murray of the WSJ, argue this is Google’s fault). William Mougayar responded to me on Twitter that the credit given to the Post was “like a footnote” — and that got me thinking. We’re perfectly comfortable with long excerpts from other people’s work in other places when they are given just a footnote. Why is this case so different? It even includes traffic, which scholarly footnoting rarely does.

I’d be willing to agree that Gawker could have — and maybe even should have, in an ethical sense — mentioned Shapira and his story specifically. But there is no way in heck that a post with three links and an explicit reference to the source constitutes anything approaching a “rip-off” or the “death of journalism.” How about the death of hyperbole, and the rebirth of rational debate about the value of linking and traffic, and/or the ethics of sourcing online? That would be nice.

A blog post from the hammock

I realize it’s entirely possible that virtually no one will read this post. I have been a very bad blogger recently, and wouldn’t be surprised if most people have given up on it. I would dearly love to be writing more, but just never seem to find the time.

I blame two things — one being my new(ish) job as the Globe and Mail’s online Communities Editor, which has sucked up a lot of my free time, and the other being Twitter, which makes it so seductively easy to post quick thoughts rather than taking the time to think about and write a longer post.

As I lie here in the hammock at the family cottage up in the Ottawa Valley, I would like to think that some day I will be able to get back to writing more regularly (other than the posts I’ve been doing for the Nieman Journalism blog, which have also been few and far between lately). But I can’t promise anything.

In the meantime, please feel free to follow me on Twitter (I’m @mathewi) and start up a conversation about new media, technology, journalism or pretty much anything else.

Mark Cuban still won’t admit he was wrong

In what has to be one of the most often-quoted comments about an Internet company, billionaire basketball-team owner Mark Cuban said in 2006 that “only a moron would buy YouTube.” Within a matter of months, of course, Google paid $1.65-billion for the company that Mark said would undoubtedly be “sued into oblivion.” And was YouTube sued into oblivion? No. So by my count, that means our billionaire media analyst has been wrong at least twice on the topic of YouTube.

So has the Dancing With The Stars hoofer ever admitted that he was wrong? Not on your life. In fact, he’s now telling Silicon Alley Insider that YouTube has only become a success because it started following his advice, which was to focus on legitimate content that could be monetized through advertising. But even in his email to Nicholas Carlson he gets YouTube and the true nature of its business wrong: he says that the user-generated content side of the company is probably “losing its ass” and that “If they get out of the UGC business, they actually would be profitable.”

As usual, Mark misses the point: the user-generated content — the video clips of startled hamsters and surprised panda bears and Charlie biting his brother’s finger — are exactly what draw the audiences that generate the pageviews that YouTube monetizes through ads on other content. As YouTube has described in a somewhat defensive post on its blog, the business is doing quite well now, thank you very much, despite repeated claims by people like Cuban that bandwidth costs and/or lawsuits would bankrupt the company. Don’t quit your day job, Mark.