I have to say I’m not a huge fan of Mahalo.com, the “people-powered” search engine from Jason Calacanis, but then I’m not really the target market (as Jason has pointed out in comments here before). And I can see how it might be useful to some people, if they’re looking for just one or two results. But as skeptical as I am, I look like Jason’s biggest supporter compared to Andrew Baron of Rocketboom, who wrote a recent post entitled “Why Mahalo is Fundamentally Flawed.”
I’m not sure what happened between Jason and Andrew, although I know that Jason offered Amanda Congdon a job after her acrimonious departure as the host of Rocketboom, and he also made some fun of Rockeboom (in what I thought was a kind-hearted way) in a recent Mahalo video. But still — Andrew doesn’t just criticize Mahalo for a few flaws in his post. He effectively accuses Jason of perpetrating a gigantic con, in which he pretends to set up a site to help people find search results, but in reality just wants to get them to click on his ads.
It’s interesting to read the comments on Andrew’s post as well: Jason shows up and gamely tries to respond to the criticisms, and also disproves Andrew’s claim that there are no positive reviews of Mahalo other than Jason’s (which Andrew wriggles out of by saying they aren’t credible). Then, after a comment from Duncan Riley of TechCrunch, the Rocketboom founder wonders whether Duncan’s comment came after a “nudge for a voucher,” whatever that means. It’s bizarre.
Just for the record, I have nothing against Andrew — he was a panelist at the original mesh conference last year, and we were happy to have him — and I think he was a pioneer with Rocketboom. But his vendetta against Jason seems more than a little over the top.

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I have to say one thing about Jango.com: it’s pretty simple to use. When you hit the site you get a search box and a list of “stations.” You can choose a station, which is a pre-mixed selection of artists, or you can type in an artist’s name — at which point you are taken to a user page, without even having to sign up (you can create an account from the user page by just typing in your email and a password). My page is
The first go-round came with mp3.com — and in particular a service called MyMp3, which allowed you to upload your music to the company’s servers and stream it from anywhere. Even though the service checked to see whether you had the right to the CDs you were uploading, the record companies saw it as unauthorized copying and therefore copyright infringement and sued. Universal later
Colour me skeptical. For one thing, Google doesn’t know anything about content — nor does it want to know anything, as far as I can tell from what Eric and the boys (Larry and Sergey) say about what they see as Google’s business. Finding content, yes; indexing content, obviously; maybe even aggregating content in some smart way. But creating it? I don’t think so. I could see Google