From Amusing Planet: “Joseph Pujol was born in Marseille, on the Cote d’Azur in 1857. The son of a stonemason and sculptor, Pujol discovered his unique talent when he was only ten years old. Pujol soon found that by adjusting the force with which he expelled this air, he could create musical notes of varying pitch and timbre. It was while serving in the army that Joseph Pujol was given the name “Le Pétomane”, which roughly translates as the “fart maniac”. In 1890, he took his act to Paris and persuaded Charles Zidler, founder of the newly opened Moulin Rouge, to let him perform. Pujol’s act was an immediate sensation, and for the next three years, he played to packed houses at the iconic cabaret, delighting audiences that ranged from royalty to the bourgeoisie. According to one fellow performer, Pujol was the highest-paid artist at the Moulin Rouge.”
Sixteenth-century Venice conducted its affairs in code, which was regulated by the state
From JSTOR Daily: “The secret in secretary is hidden in plain sight. In late Middle English, a secretary was literally one who kept secrets. In sixteenth-century Venice, there were professional cifrista, cipher secretaries, that is, cryptographers, writing secrets in code to secure communications from prying eyes. The Venetian city-state, which then dominated the politics and commerce of Northern Italy, the Adriatic, and the eastern Mediterranean, actively conducted its affairs in code. Cryptology was so important and widespread in Venice’s Stato de Màr (State of the Sea) it became professionalized and state controlled. Cryptology was first an intellectual pursuit that evolved into amateur use by merchants and rulers and then became professionalized in the 1500s.”
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