Author: Mathew Ingram

I’ve been doing my best to remain calm, but I have to confess that it isn’t working as well as it usually does. I’m speaking, of course, about the tsunami that is currently wreaking havoc on the traditional media business, an industry in which I happen to have spent virtually my entire working life. The earthquake that created this particular tsunami occurred ages ago, and those who were paying attention have long since headed inland to safety, but the shock waves are now starting to hit with real force, accelerated by the economic uncertainty all around us.

Bad news has been trickling in for months, or even years — newspapers cutting back staff, closing editions, companies on the ropes financially. But it’s been a thousand small cuts, mostly at smaller publications, and so it hasn’t really had as much impact as it might otherwise. It seems to be accelerating though, and now it’s not just small papers or magazines but ones that everybody has heard of. It hit home recently while reading through a summary of industry news that I get daily from the folks at I Want Media. Here’s a sampling of recent headlines:

— “Newark Star-Ledger cuts 40% of staff”
— “TimeWarner to cut 600 jobs in magazines”
— “Gannett to cut 3,000 newspaper jobs”
— “Orange County Register to cut 110 jobs”
— “LA Times cuts 10 per cent of staff”
— “Thomson Reuters eyes massive layoffs”
— “Washington Post profit falls 86 per cent”
— “New York Times debt cut to junk”

Continue reading “Media: Okay, so is it time to panic yet?”

Internet Evolution is a site owned by United Business Media — the company that publishes magazines such as Information Week and Light Reading, and puts on conferences such as Web 2.0 Expo — and its goal is to create a kind of digital think-tank, where ideas and commentary can flow around some of the big issues facing technology and society. I write for them from time to time, and they asked me to mention that they are looking for some site moderators, whose job it is to keep an eye on things and to post thoughtful comments and links in order to keep the conversation going. In return, they get the chance to read some interesting and thought-provoking commentary, and they also get perks like Starbucks gift cards, T-shirts and even cash. If you’re interested, drop them a line at [email protected] and tell them I sent you.

I just love the Internet sometimes. Thanks to a link at Metafilter, I just found out that the entire text, data and images from the Archimedes Palimpsest have been released on the Web under a Creative Commons license. Palimpsest is an odd word that refers to a manuscript that has been scraped or wiped clean and had something else written over top of it, and that’s exactly what the Archimedes manuscript is. It’s actually what’s known as an “euchologion” or prayer book from the 11th century, but in order to save money the authors reused some parchment they had lying around — and that happened to include a copy of a manuscript by the Greek scholar Archimedes, including several treatises that don’t exist in any other form. It took four years to dismantle the manuscript and prepare it for imaging, something that was done with some help from the Canadian Conservation Institute, and then to scan and use optical-character recognition and translate the text. All of that material is now online.

Lots of talk about Hulu, the video portal from NBC and News Corp. that is celebrating its first birthday. Brian Stelter has a great piece in the New York Times about the site, and how it has succeeded in part by not plastering everything with ads (a lesson I sincerely hope others take to heart as well). I have to admit that like Mike Arrington at TechCrunch, I was — how can I put this delicately — somewhat skeptical of Hulu’s chances. Not surprising really, given how the major networks (yes, I’m looking at you, CBS) had screwed things up royally with online video.

And yet, Hulu arrived and it didn’t suck. It has a nice interface, it shows pretty good quality video in a nice wide player, and it lets you pause and even embed video. It’s not available outside the United States, of course, but there are ways of getting around those restrictions if you really want to. There’s lots of great content on Hulu too, including some of my favourite old TV shows like Time Tunnel and I Dream of Jeannie and whatnot. So all in all, it’s done pretty well for itself — and it has the numbers to prove it (although not enough for Liz Gannes at NewTeeVee).

At the same time though, I must admit that something bothers me about Hulu (and not just that as a Canadian, I have to jump through a bunch of hoops just to watch something on it). Andrew Baron, the founder of the online video show Rocketboom, came close to the mark with some comments he made on a Yahoo group recently in a discussion about Revision3 and some of the cutbacks they’ve made in new shows. I think what bothers me about Hulu is the same thing that bothered me about Joost: namely, the fact that all the content is… well, it’s just TV on the Web. Where’s the fun in that?

I mean, I like being able to watch or embed that hilarious episode of Saturday Night Live — which seems to have turned off the geo-blocking, since I’ve embedded one in this post — or a clip from South Park, or whatever. But apart from the ability to embed it somewhere else (which I admit is a huge step for a network to take with its content) there’s very little you can do with it. And there’s nothing else but content from major networks and studios — no related content from elsewhere, no uploading allowed, no way to get anything *into* Hulu at all. Maybe I’m just hard to please.

According to a report in Fortune, the file-sharing network LimeWire has signed a deal with Comedy Central that will make it easy for users of the peer-to-peer application to find and buy legal versions of comedy videos from Lewis Black, Mitch Hedberg (who appears in the video embedded here, a clip from the Just For Laughs Festival in Montreal) and others. LimeWire opened a download store in March, but until now it has consisted primarily of content from small record labels and independent artists. The addition of licensed content will make for an interesting test: Are LimeWire users willing to pay for content that they like, provided it’s easy to do so? Or are they dedicated to pirating it no matter what?

Jack Vaughn, head of Comedy Central Records, said that the network doesn’t like piracy, but that it is looking for ways to expose its content to as many new audiences as possible, and LimeWire fits that bill: “We looked at the Lime Wire Store, and we said, ‘Are they going to pay? Are they going to pay on time, and are they going to expose our artists to a new audience?’ The answer was yes.” Whether this attitude shift will help the P2P network in its ongoing fight with music labels over the copyright-infringing content on the system remains to be seen. In an unrelated move, the co-founder of the Kazaa P2P network is also trying to help such networks go legit.

Anyone who follows me on Twitter heard about this already, but there’s an interesting story behind the “sequel” video to that famous Wassup commercial that Budweiser came out with eight years ago. Much like BusinessWeek marketing writer Burt Helm, I wondered how the video had come together, and how it came to be a partisan election message for Obama rather than a Budweiser commercial. Unlike me, however, Burt Helm looked into it and discovered that director Charles Stone III (who also directed the movie Drumline) retained the rights to the concept, which he licensed to Budweiser for the original commercial. He made the sequel with some friends and colleagues from the movie business and $6500 of his own money, and in just 4 days it has been seen by 2.4 million people.

So Microsoft seems to have finally woken up and decided to get serious about the Web — or at least semi-serious — by rolling out a cloud-computing platform called Azure and announcing the imminent arrival of Web-ized versions of its Office applications (my favourite response to these announcements came in a Twitter message from Sarah Perez of Read/Write Web). Obviously, the Web Office news is a shot across the bow of Google and its Google Docs — Microsoft is even using mostly Ajax just like Google, instead of its Flash-style Silverlight technology. But who does the rollout of a Web Office hurt Google more, or does it hurt Microsoft itself?

I don’t know the answer to that question, but I still think it’s worth asking. No doubt many users of Google Docs will shift to Microsoft’s version, in part because it will make integration with their existing corporate systems easier, or because their employers will make its use mandatory. Others may find that Microsoft’s Web apps offer better compatibility with regular Office programs (something that Google Docs still isn’t that good at, at least when it comes to advanced page layout and that sort of thing). But what about the competition between Microsoft’s Web Office and the real Office?

I would imagine that Microsoft is going to try its best to make Web Office just useful enough to entice people away from Google, but not nearly nice enough to tempt them to drop the regular installed version of Office. But no matter how hard it tries, there are likely to be small or medium-sized companies that decide it’s just as good to use the Web version as it is to pay $300 or whatever per seat to get an authorized copy of the desktop software. That’s going to be money right out of Microsoft’s pocket, since Office generates truckloads of cash for the software behemoth.

Maybe Microsoft will be able to manage the process so that it doesn’t cannibalize its Office franchise too much, or maybe it will err on the side of crippling the Web Office so that it doesn’t harm the installed software versions. But either way, that’s a tricky balance to strike.

Last year, a columnist for MediaPost asked which major newspaper would be the first to turn its back on print and try to create a future as an online-only publication, and now he has his answer: the Christian Science Monitor, a 100-year-old newspaper that has won seven Pulitzer Prizes for journalism, said today that it will no longer publish a daily print edition. The paper, which is financed by the Church of Christ Scientist but has won widespread acclaim for its reporting and commentary, is launching a weekly magazine but otherwise the print side will be shut down.

I confess that despite having spent the past couple of years watching U.S. newspapers caught in a death spiral, cutting costs and laying off staff only to see their advertising revenue continue to sink, the closure of the CS Monitor’s print edition came as a shock. It’s one thing to talk about what newspapers have to do to survive, how online is the future and so on, but it’s another thing to see a 100-year-old paper leap off a cliff like that.

Continue reading “Christian Science Monitor says goodbye to print”

I just got an email from Google PR, saying the company has settled its long-running legal battle with publishers and authors over its ambitious book-scanning project, a settlement that was rumoured to be in the works for the past month or so. The project has been under a cloud since 2005, when the Association of American Publishers and the Authors Guild filed two class-action lawsuits alleging that scanning books without permission amounted to large-scale copyright infringement. The Web company said it would remove books from its index on request, but authors and publishers said this reverse-onus approach was unfair.

As part of the settlement, Google is paying $125-million to settle the legal claims, pay legal costs for the two groups, and — more importantly — will set up a new entity called the Book Rights Registry, which will be responsible for distributing payments that come from online access to books provided through Google (and through any similar programs created by other providers). The registry will also be responsible for locating rightsholders for old and out-of-print books, collecting and maintaining accurate info, and for providing a way for rightsholders to “request inclusion in or exclusion from the project.” In effect, Google is setting up a body that does what ASCAP and similar groups do for musicians.

Continue reading “Google: Start up those book scanners!”

Jon Newton, who runs the Canadian peer-to-peer news site p2pnet, says a British Columbia judge has ruled in his favour in a defamation lawsuit launched by a former Green Party official. This official argued that by linking to articles which he claimed were defamatory, p2pnet also engaged in defamation — and he sued half a dozen other websites for linking to the same material, and reportedly threatened to sue even more to force them to remove the links and references. According to B.C. Supreme Court judge Stephen Kelleher, however, linking by itself is not sufficient to make a case for defamation. Kelleher said:

“Without proof that persons other than the plaintiff visited the defendant’s website, clicked on the hyperlinks, and read the articles complained of, there cannot be a finding of publication.”

However, the judge added that:

“I do not wish to be misunderstood. It is not my decision that hyperlinking can never make a person liable for the contents of the remote site. For example, if Mr. Newton had written ‘the truth about Wayne Crookes is found here’ and ‘here’ is hyperlinked to the specific defamatory words, this might lead to a different conclusion.”

The legality of linking has been a thorny issue for some time, both in the U.S. and elsewhere. As this handy guide from the Chilling Effects website describes, linking to certain material — including that which infringes copyright — has been found to be illegal by the courts in the past. Google itself has been forced to remove certain links from its search results, including (in one case) links to sites where users could download copyright-infringing copies of the Kazaa Lite software. The Electronic Frontier Foundation has a rundown on some cases as well.

Continue reading “Linking isn’t defamation, judge says”

Just found out via Adam Ostrow at Mashable that Revision3 — the Web TV venture from the Digg boys, Kevin Rose and Jay Adelson — has laid off several people and shut down the filming of a few shows, including Internet Superstar with Martin Sargent and PopSiren with Sarah Lane. Interestingly enough, the hosts of both shows used to work on G4 and TechTV, the shows that Kevin Rose got his start on as a fresh-faced young geek (okay, he’s still a fresh-faced young geek, but you get my point). Sarah Lane is also the director of production for Revision3, according to her bio. There have been other executive layoffs as well apparently.

In what has to be a bandwidth cost-related move, Revision3 is also stopping distribution of two shows, including social-media guru Gary Vaynerchuk’s popular Wine Library. In a blog post about the moves, CEO Jim Louderback says that PopSiren and Internet Superstar “had great promise, but never really found their audience.” The company is also stopping production of a long-running show called Pixel Perfect, which was apparently an instructional program about using Photoshop. Some of the shutdowns have predictably had spinoff effects, as Liz Gannes describes at NewTeeVee.

Continue reading “TV 2.0: Revision3 cancels some shows”

Radar magazine has folded for the third time, this time apparently for good (although the website has been sold to AMI, which publishes The National Enquirer, and will become a competitor to TMZ and other celebrity sites). Among others, this has stranded Web journalism legend Ana Marie Cox, who was reporting on the U.S. election campaign for the magazine, so she is asking readers to support her directly in a bid to continue writing until the election is over (she still writes a blog for Time magazine as well).

Cox, who was the founding editor of Gawker’s Wonkette blog before moving to Time magazine — and has also written for Mother Jones magazine, as well as for Feed magazine and the godfather of all snarky blogs, Suck.com — has set up a tiered approach to reporting that gives her sponsors a chance to participate in her reporting to some extent. It includes:

Continue reading “Get Ana Marie Cox to report for you”

I came back from a weekend away to find that Nick Carr had picked a fight with Tim O’Reilly about Google, and whether the company’s size and market power has been a result of network effects. This argument was a sort of spin-off of an issue that came up earlier in the week, when Hugh McLeod pondered the topic of “cloud computing” and whether it could produce a giant monopoly. O’Reilly argued that it likely wouldn’t, because it doesn’t benefit from network effects in the same way that Google does.

Nick took issue with this line of argument, asking:

“Is the network effect really the main engine fueling Google’s dominance of the search market? I would argue that it certainly is not.”

In fact, he says categorically that Google’s rise to dominance has “nothing to do with the network effect.”

I don’t know why a smart guy like Nick would make an argument like that, but I think he’s totally wrong. Let’s review what the network effect means: As Tim describes it, it refers to systems that “get better the more people use them,” which is a pretty good paraphrasing of the Wikipedia definition as well as other definitions you can find in various places. The classic example used is the telephone, which becomes more useful the more people use it.

Continue reading “Nick Carr: Still wrong on Google, Part 2”

Some good, down-to-earth advice from Matt Sokoloff at Lost Remote about how newspaper bloggers should approach what they do, including:

1. Have a voice – The key isn’t about having a bias but rather being human. News affects people including yourself, don’t be afraid to talk about it.

2. Don’t just post wire stories.

3. Engage with your readers – Not only should you solicit comment but you should also respond to them.

Continue reading “Memo to newspaper bloggers: Be human”

The legendary British Australian rock band AC/DC is one of the few holdouts when it comes to selling music through the iTunes record store, a stand the group has taken in part because it refuses to sell individual songs as singles — “We don’t make singles, we make albums,” says guitarist Angus Young — and Apple won’t let the band restrict its iTunes sales to just albums. That’s why its new album, Black Ice, is exclusively being sold through Wal-Mart stores, and it may also have something to do with the fact that the record has been topping the BitTorrent download charts as well.

According to TorrentFreak, just five days after the album was leaked on BitTorrent it had already been downloaded 400,000 times. Download-tracking firm Big Champagne said that in the first week it was available (the leak occurred on October 7, and the official release was on October 20) it was being downloaded about 100,000 times a day. If that rate continued — and there’s no reason to think that it hasn’t — then the album was downloaded more than a million times before it went on sale.

Continue reading “AC/DC a blockbuster despite downloads”