Author: Mathew Ingram

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Peter Schjeldahl, a poet who was also the longtime art critic for the New Yorker, died recently at the age of 80. He wrote a piece called “The Art of Dying” in 2019, after he was diagnosed with lung cancer. “Why me? Why not me?,” he wrote. “Dying is my turn to survey life from its far—now near—shore. Like a camera situated nowhere and taking in every last detail of the pulsating world. God creeps in. Human minds are the universe’s only instruments for reflecting on itself. The fact of our existence suggests a cosmic approval of it. We may be accidents of matter and energy, but we can’t help circling back to the sense of a meaning that is unaccountable by the application of what we know.”

She’s the only woman working in a remote oil-drilling camp. This is her story

When Cindy Marchello walks onto an all-male oilfield fracking site, if you don’t notice her, you’ll likely hear her voice. “What are you looking at?” she’ll yell at a male worker if he stares at her for longer than she likes, “I’m old enough to be your mom!” If that doesn’t work, she’ll ask, “What’s your wife’s name?” while hacking up a wad of saliva and spitting it at him. If the man keeps looking, she’ll threaten to throw rocks. Marchello is a short, 56-year-old grandmother with wispy blond and gray hair, pale skin with rosy cheeks, and a curvy figure. She once visited a dusty well-drilling site surrounded by cornfields and heard a man’s voice hollering over the loudspeaker: “Woman on location, woman on location.”

Note: This is a version of my personal newsletter, which I send out via Ghost, the open-source publishing platform. You can see other issues and sign up here.

In the mid-1800s, travelers moving up and down the Hudson River would have been witness to an abnormal sight: Mayan ruins and artifacts a thousand miles north of where they should be. Some of the settlers in that area seem to have felt something of an inferiority complex toward the antiquities of Europe, and one of those was John Cruger, who owned an island on the Hudson that now carries his name. In 1840, while in Honduras, he purchased the land containing the ruined city of Copan for $50, and took casts of the collapsed buildings and sent them north. They were assembled in New York, and Cruger would show them off to his guests by taking midnight boat rides.

Deepfakes of celebrities are showing up in ads

Last year, Russian telecommunications company MegaFon released a commercial in which a simulacrum of Hollywood legend Bruce Willis helps defuse a bomb. Just last week, Elon Musk seemed to star in a marketing video from real-estate investment startup reAlpha Tech Corp. And last month a promotional video for machine-learning firm Paperspace Co. showed talking semblances of the actors Tom Cruise and Leonardo DiCaprio. None of these celebrities ever spent a moment filming these campaigns. In the cases of Messrs. Musk, Cruise and DiCaprio, they never even agreed to endorse the companies in question.

Note: This is a version of my personal newsletter, which I send out via Ghost, the open-source publishing platform. You can see other issues and sign up here.

Hidden beneath Christian texts, scholars have discovered what seems to be part of the long-lost star catalogue of the astronomer Hipparchus — believed to be the earliest known attempt to map the entire sky. Scholars have been searching for Hipparchus’s catalogue for centuries. James Evans, a historian of astronomy at the University of Puget Sound in Tacoma, Washington, describes the find as “rare” and “remarkable”. Evans says it proves that Hipparchus, often considered the greatest astronomer of ancient Greece, really did map the heavens centuries before other known attempts. It also illuminates a crucial moment in the birth of science, when astronomers shifted from simply describing the patterns they saw in the sky to measuring and predicting them.

How a child’s chronic pain and a nurse’s misdiagnosis tore a family apart

Beata and Jack Kowalski told the hospital that their daughter Maya suffered from a neurological disorder called complex regional pain syndrome, or CRPS. They said that she was acutely sensitive to stimuli of all kinds and that disabling pain radiated through her legs and feet, requiring the use of a wheelchair. When a nurse attempted to conduct an ultrasound, her mother insisted that the only way Maya could tolerate the contact was if she received an infusion of ketamine. Hansen agreed that it was strange for Beata to demand medication before allowing a test. A parent being uncooperative or failing to heed a medical professional’s suggestions is considered a red flag for neglect, and so a hospital staffer filed a formal notice with the state. And thus began a torturous odyssey that would tear the Kowalski family apart.

This footage was taken by NASA astronaut Peggy Whitson during a spacewalk on the International Space Station on Thursday, March 30, 2017. There’s a longer version here (via Wonder of Science on Twitter).

Note: This was originally published as the daily newsletter at the Columbia Journalism Review, where I am the chief digital writer

Last week, The Wire—an independent news outlet based in India—reported that Amit Malviya, the social-media manager for India’s ruling BJP party, was able to remove images from Instagram without having to go through the normal moderation channels. As evidence, The Wire published an internal Instagram report that appeared to corroborate its reporting, with timestamps for when the images were removed, and a note that the usual moderation process wasn’t required because they were flagged by Malviya. When Meta, the parent company of both Instagram and Facebook, denied that this was possible, The Wire published a second story, including a screenshot of what it said was an email from Andy Stone, a spokesman for Meta. In the email, Stone seemed upset about the leak of the original report, and asked his staff to put the journalists who published The Wire‘s initial story on a watchlist.

In a response to that story, Guy Rosen, chief information security officer at Meta, wrote that the email from Stone also appeared to have been fabricated. The Wire then published a third story, in which it described the technical method it used to verify the email, and included a video showing the process. The story also had screenshots of emails sent by two unnamed internet security experts, who said they had reviewed a copy of the Stone email and the process The Wire used to verify it, and they were convinced that it was genuine. Some reporters, however, noted that the emails from the experts were dated in 2021, not 2022. Devesh Kumar, the Wire reporter who handled the verification story, said this was a simple mistake due to a glitch in his operating system.

in an interview with Platformer, Casey Newton’s technology newsletter, Jahnavi Sen, deputy editor of The Wire, said someone from the site met with one of the original sources for the report about Instagram, and that this source verified their identity by providing a number of documents, including their work badge and pay slips. Kumar told Platformer that when The Wire approached its original source about the Instagram takedowns, the source send a copy of the internal report within 20 minutes. When The Wire reached out to a different source, they said they didn’t know anything about the Instagram report, but “they had insight into the discussions happening internally. Seven minutes later, the source responded with the email allegedly from Stone.”

Lexica is a collection of “art” generated by an AI engine called Stable Diffusion. If you hover over each image, you can see the text prompt that generated it — like “Pregnant taylor swift in a blue dress, realistic portrait, symmetrical, highly detailed, digital painting,” etc.

Note: This is a version of my personal newsletter, which I send out via Ghost, the open-source publishing platform. You can see other issues and sign up here.

For nearly 150 years, a cloud has hung over the reputation of Geoffrey Chaucer, the author of “The Canterbury Tales,” long seen as the founder of the English literary canon. A court document discovered in 1873 suggested that around 1380, Chaucer had been charged with raping Cecily Chaumpaigne, the daughter of a London baker. In the document, Chaumpaigne released Chaucer from “all manner of actions related to my raptus”— a word commonly translated as rape. But this week, two scholars stunned the world of Chaucer studies with previously unknown documents that they say show that the “raptus” document was not in fact related to an accusation of rape against Chaucer at all. The new documents, the two scholars say, establish that the one that surfaced in the 1870s had been misinterpreted. Instead of stemming from a rape case, they argue, the document had been filed as part of a labor case, in which another man charged Chaumpaigne with leaving his household to work in Chaucer’s before her term of labor was over.

The original Tiger Kings

The last survivors of a lost empire live behind the Mirage, in Las Vegas, out back by the pool. On a good day, Siegfried & Roy’s Secret Garden will draw more than 1,000 visitors, the $25 adult admission fee justified mostly by the palm shade and tranquility it offers relative to the mania outside its walls. There are also long summer stretches when it’s 100 degrees and things get a little grim. During a recent visit, only a few families strolled through, surveying the five sleeping animals on display: three tigers, a lion, and a leopard. The Secret Garden ostensibly operates as an educational facility. “Look, a lion,” one young father said to his son, while pointing at a tiger.

This is just one of many eye-catching pieces of art from Ravi Zupa, who says he is inspired by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters. His work frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. (via my friend Michael Murray’s wonderful online magazine, Galaxy Brain).

This aerial image of Berlin at night shows the ghost of a border between East Berlin and West Berlin, based on the street lighting that each side uses — the East side is still mostly using sodium vapour lights, which are warm yellow, while the West side uses mostly LED lights, which are much brighter and more white. (via Why Is This Interesting?)

Note: This was originally published as the daily newsletter at the Columbia Journalism Review, where I am the chief digital writer

On Monday, Jahnavi Sen—deputy editor of The Wire, an independent news outlet in India—reported that Amit Malviya, the social-media manager for India’s ruling political party, was able to have any post removed from Instagram, regardless of the content, by flagging them through the service’s reporting system. An internal report The Wire saw a copy of “makes clear that the reported post was taken down immediately without any of the company’s moderators looking at it,” the site wrote. Any post flagged by Malviya was treated the same way, according to The Wire: “an immediate removal from the platform, no questions asked.” A source at Meta, the parent company of both Instagram and Facebook, told The Wire that Malviya reported more than 700 posts in September, and all were removed.

According to The Wire, these takedowns were allowed because Malviya is part of a Meta program called X Check or Cross Check, whose existence was revealed by the Wall Street Journal in September of 2021, as part of the paper’s reporting on a trove of documents released by Frances Haugen, a former Facebook security staffer turned whistleblower. Under the Cross Check program, “some users are ‘whitelisted’—rendered immune from enforcement actions—while others are allowed to post rule-violating material pending Facebook employee reviews that often never come,” the Journal reported (the ability to remove content from Facebook or Instagram is not mentioned).

The Wire‘s story included a copy of the internal Instagram report, which it said confirmed that Malviya was able to have posts taken down because he was a member of the program, including timestamps that allegedly corresponded to when the posts were removed that said “Review not required. Reason: Reporting user has XCheck privileges.” In a response to The Wire, Andy Stone, a spokesman for Meta, said the Cross Check program “has nothing to do with the ability to report posts.” He added that all of the posts mentioned by The Wire “were surfaced for review by automated systems,” and suggested that the document referred to in its story “appears to be fabricated.” Guy Rosen, chief information security officer for Meta, went into more detail in a Twitter thread.