I can still remember how the hairs on the back of my neck stood up when I first heard “Last Kind Word Blues,” by a Southern blues singer named “Geeshie” Wiley. I forget exactly where I heard it — I thought it was embedded as an audio file in the article posted below, a feature from the New York Times magazine that was published in 2014. But when I went back to check, it wasn’t there. It might have been in the movie “Crumb,” a documentary on underground artist Robert Crumb, which used it. Anyway, I think part of my interest was the haunting sound of the song itself, and part was that I had never heard of Geeshie Wiley, despite a lifelong love of American blues music from the turn of the century.
When I looked up the song, I came across the video embedded below on YouTube, in which someone going by the name “I Play Banjo Now” plays it in 2012, sitting on what appears to be a bed in an unkempt bedroom. It really captures the essence of Geeshie’s performance, I think, and many of the more than 500 commenters on the video seem to agree. I have returned to play this video many times over the years (I’ve also learned to play the song myself on guitar, although not nearly as well). The performer, I found out later, is Christine Pizzuti, whose version appears on an album of American Blues songs called The American Epic Sessions, along with artists like Jack White and the Avett Brothers. The album is also the soundtrack to a movie of the same name.
So who who was Geeshie Wiley? Where did she come from? And what happened to her? As the NYT piece makes clear, there are no easy answers to those questions:
Continue reading “The mystery of Geeshie and Elvie”










