
When it last changed hands, in 2020, 2-8A Rutland Gate was Britain’s most expensive house, selling for £210m. The word “house” hardly does it justice; palace is probably more accurate. It is in Knightsbridge, one of the most glamorous parts of London, and has 45 rooms, four lifts, an indoor pool and 116 windows, 68 of which overlook Hyde Park. But no one is enjoying those views. This palace has been empty for years. There may not be anyone inside, but there is someone outside and I’m afraid I’ve woken him up. On the porch is a makeshift tent, made mostly from umbrellas. A bearded head emerges, looking a little bleary, but cheerful. The porch is filled with stuff, which spills out along the railings: baskets, books and newspapers, pictures, teddy bears, games, a couple of bicycles, lots of flowers in vases, pots and bins. (via The Guardian)
David Hockney says the Old Masters used a camera lucida to create their art

The story begins when Hockney visits an exhibit by Jean-Auguste-Dominique Ingres at the National Gallery in London in 1999. At the exhibit, Hockney is struck, in particular, by the pen-and-ink drawings and, most specifically, by the portraits, which were produced around 1816. What catches his painter’s eye is that they seem incredibly detailed and “uncannily ‘accurate.'” Hockney, who knows from his own experience as a portrait painter how hard it is to produce such detail, suspects that something else might be at work. He knows that Andy Warhol used a slide projector to project photographs from which he traced his images, and Hockney is convinced Ingres must have used a similar device. But if Ingres made use of a similar device, what was it? Photography was not invented until 1839; the camera lucida, however, was invented in 1806. It consists of a prism at the end of a metal rod, which extends from a weighted stand or clamp that can be placed over a sheet of drawing paper. (via American Scientist)
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