Hey dad, Wikipedia says that you…

In an Associated Press piece about Jeff Tweedy, the lead singer of Wilco and a well-known former drug addict, there’s a hilarious anecdote about how his 11-year-old son learned of his past drug use:

“Well, you know Spencer is 11, and awhile back, he said ‘I just read on Wikipedia that you started smoking pot when you quit drinking in nineteen-whatever. That makes me so mad. Wikipedia is always so wrong. It’s just like, so stupid.’

And I had to take him aside and say ‘Spencer, I didn’t think I was going to have to have this discussion with you at this age, because it is not something that has really entered your world, but I don’t want to lie to you.

That Wikipedia thing, there are probably a lot of wrong things on there, but that is not one of them. That happened.’”

I think that anecdote says a lot about Wikipedia and the nature of modern fame, and also about the difficulties of parenting in a social-media world — plus it’s hilarious to boot. And the rest of the interview is well worth a read too, if you like Wilco at all (which I do).

(via The Listenerd)

Beware of the “standpatters”

Great quote from Jack Warner, founder of Warner Brothers, which I found on Marc Andreessen’s excellent blog (a blog I wish he had more time for). Warner was talking about movies, but I think — and I assume Marc agrees — that it applies to all kinds of things:

“Every worthwhile contribution to the advancement of motion pictures has been made over a howl of protest from the standpatters, whose favorite refrain has been, ‘You can’t do that.’ And when we hear that chorus now, we know we must be on the right track.”

The quote comes from Neal Gabler’s book An Empire of Their Own, about the rise of the Hollywood studios.

Facebook vs. Google — the social wars

Facebook appears to be trying to gain some ground against Google’s as-yet-unreleased OpenSocial effort by opening up its developer platform for other sites to use. The F8 platform started as a set of APIs that other sites could use to create widgets — of which there are now about a million (two or three of which are actually useful) — but the social network announced today that other sites can now license and use the Facebook platform, something Bebo appears to be doing already.

Where does this put Facebook as far as OpenSocial goes? On the other side of the fence, it seems to me. Facebook is talking about getting platforms or networks such as Bebo to adopt the Facebook platform markup language and other aspects of how it works, so that then applications designed for one network can be used elsewhere — but presumably only if that other network or platform also supports Facebook’s language and standards (this reminds me of Microsoft’s attempts over the years to convince developers to use its various flavours of HTML and other languages).

In any case, this is pretty much exactly what Google seems to have in mind with OpenSocial: a single set of standards that application developers can use so that widgets or apps run on different networks and data can flow from one to the other and back again (Chris Messina is coming at the same idea from a different perspective). Of course, there is a possibility that Facebook and Google could work together, but I wouldn’t bet the house on it. (ParisLemon says this is just a proxy for the war between Google and Microsoft).

Nick O’Neill of All Facebook asks in his post who the competition will decide to side with — Google or Facebook. To me, there’s no contest. Yes, Facebook is popular and has lots of cool features. But whose application or development format would I want to support? I’d go with Google every time. In any case, as Dave “Mc500 Hats” McClure puts it, the social-platform wars are on. And hey, don’t forget about Friendster either — they have a platform too.

Penthouse: Insert “social network” joke here

The double entendres pretty much throw themselves at you when you come across news like this: that the media group behind Penthouse is buying the company that runs the Adult Friendfinder service (among other things) for half a billion dollars. Various Inc., which runs a wide variety of other websites — including BigChurch.com and GuanXi.com — has reportedly been shopping itself around for some time, but investors tend to shy away from the adult-entertainment market.

The company isn’t getting much of a premium for the deal either, since it has annual revenues of about $200-million, or about 5 times what Facebook had last year. There was a fascinating profile of the founder of Various, a guy named Andrew Conru, in Business 2.0 magazine earlier this year, which described the nondescript industrial mall the company operates out of and Conru’s unremarkable background.

Penthouse also has an interesting history — a Porn 1.0 company founded by legendary party animal Bob Guccione as a more crude competitor to Playboy, it became a media and entertainment giant. Like many of its non-porn counterparts in media, however, the company failed to adapt to the digital age and eventually filed for bankruptcy (there were apparently some other backroom shenanigans as well).

With the Adult Friendfinder purchase, new owner Mark Bell — a Florida real estate developer and former owner of an Internet hosting company — is obviously trying to create a Porn 2.0 empire in its place.

Twitter: Waste of time or social tool?

It’s interesting to see some of the reactions to Scott Karp’s post on Twitter and why he stopped using it at Publishing 2.0, a post which has now topped the cluster of Techmeme discussion about Twitter). Anne Zelenka, who writes for Web Worker Daily — part of Om Malik’s GigaOmniMedia — has a fairly visceral response, which is to call Scott’s post insulting.

The clear implication, she says, is that Scott finds talking to people like her a massive waste of time. In the classic sense, of course, it is a waste of time. As Scott quite rightly points out, the signal-to-noise ratio on Twitter is quite low in many cases — there’s a lot of banter and chat and extraneous information of various kinds, and that can make it difficult to get some good, solid work done. It’s like having the TV on too loud, or people chatting behind you when you’re trying to do something.

I think what Anne’s driving at, though, is that some of this social interaction, some of this “ambient intimacy,” is good for us — even if it does get in the way of our actual work. I would compare it to working at home versus working at my office: at home, I can actually get a lot more accomplished, but I miss the social interaction, the miscellaneous chatting and random conversations with co-workers. Some of it is just socializing, but some of it has value — although it may not be immediately obvious.

My blog is my social network

Anne Zelenka has an interesting post up at GigaOm about the latest venture from Chris Messina, also known as Factory Joe or Mr. Tara Hunt. It’s an attempt to roll a kind of social-networking architecture into WordPress, one of the most popular blogging platforms around and the one I usually recommend to friends who want to start blogging (and the platform I use for this blog and others). Chris has a post about what he calls “the inside-out social network” here.

I’m going to read some more about it, since it seems to have something to do with OpenID and some other stuff as well — and Chris says that it will start with WordPress but should be able to work with all sorts of platforms — but I like the idea. Anne’s post has a great quote from copyblogger Brian Clark, who says that creating content through a social-networking application like Facebook is “like remodeling the kitchen in a house you rent.” That’s a good way of putting it.

It’s better than good, it’s Twitterific

I’ve been noticing the same thing that Forrester analyst Jeremiah Owyang is writing about, namely, that Twitter usage seems to be increasing, and that it is also driving more activity elsewhere, including to my blog — in part, I think, because I automatically post new entries to my Twitter feed (which is here, in case anyone is interested).

More people seem to be following me, with new ones being added almost every day. I’ve also noticed more Twitter results showing up in Google News searches, although apparently this has been happening for some time now. Not only that, but when I scroll through the status updates from my Facebook friends, a surprising number of them say that so-and-so “is twittering…” and then what their message is.

This fits with my theory that Twitter is really just the Facebook status update separated from the site and living on its own. It seems that more and more people like that functionality — or maybe it’s just the geeks. David Armano of Critical Mass says it’s because Twitter is a “conversation ecosystem,” which is an interesting idea.

Paul Bradshaw has some lessons on how to use Twitter as a “micro-blog,” and my friend Paul Kedrosky — ever the iconoclast — says that it’s neither IM nor email nor Facebook status; it’s all those things and less. Scott Karp, meanwhile, explains why he has given it up.

News flash: I agree with Seth Finkelstein

Plenty of people, including Wired’s Threat Level blog and my friend Leigh, are up in arms about the fact that Rogers (a major Internet service provider, for you non-Canadians) is inserting messages to its customers on top of web pages such as the Google home page. Wired brings up the spectre of net neutrality, and other sites are also scandalized by the practice.

Mike Masnick of Techdirt is right when he says that Rogers’ behaviour betrays a kind of arrogance — a “we own the pipes, so we’ll do what we damn well please” attitude — but I fail to see how this has anything to do with net neutrality. Contrary to what Kristen Nicole at Mashable and others are saying, Rogers is not “overwriting” Web content, it’s merely pushing the page down and inserting a message at the top. Cynthia Brumfield has an example of something Verizon does that she thinks is worse.

Lots of sites do the same thing with frames and so on. Is it ugly? Sure. But apart from that, I don’t see what everyone is getting excited about. In fact, while I’m not sure I want to make a habit of this sort of thing, I’m going to side with Seth “Bah Humbug” Finkelstein on this one. As he notes in his post, this just isn’t that big a deal. Let’s save all of the net neutrality hyperventilating for something a bit more serious, shall we?

Tay Zonday, HotForWords — and you?

YouTube is reaching out to all the Tay Zondays and Marina “HotForWords” video artists out there, inviting them to apply to become “partners” in the video-sharing site’s network. Until recently, only corporate content suppliers could be partners — meaning they shared in the video revenue the site brought in from ads and so on. In May, however, YouTube made some of its most-popular content providers partners, including HappySlip (whose videos I highly recommend), Smosh and others.

Now the site says that it is opening up the partner program to anyone — in Canada or the United States — who thinks their content is good enough to become a partner, and YouTube has turned Tay Zonday and HotForWords into partners, along with acts such as Pete and Brian. The latter only have about 7,500 subscribers and 185,000 channel views (compared with Tay, who has about 21,000 subscribers and over 1.7 million channel views). You can do better than that, can’t you?

For your entertainment, I’ve embedded one of the latest videos from HappySlip below. Click here if you’re reading this via RSS.

[youtube https://www.youtube.com/watch?v=ek8iWRA6jzA&rel=1&w=425&h=355]

It’s a good thing you can’t burn blogs

Doris Lessing, the Nobel Prize winner for literature, is the latest to mount her rhetorical horse and try to skewer the blogosphere — and the Internets in general — as being bad for our Culture, bad for Knowledge, and generally just not as good as Books and That Sort of Thing. Duncan Riley is right to call this approach Keensian (as in Andrew Keen, who I just finished writing about) because the same impulse drives both of them: the impulse to see ideas and knowledge as valuable only if they appear in books.

This is more an example of intellectual fetishism than anything else, I suspect. Nick Carr is clearly in this camp as well, although it’s not evident so much in his actual post on Lessing’s speech as it is in the comments, when he responds with umbrage to one of his readers by saying that:

“fucking around with ‘text’ all day has absolutely nothing to do with reading serious, challenging books… she’s talking about the desire to read good books as a manifestation of the desire to expand one’s knowledge and understanding of one’s world.”

As a commenter quickly notes, however, a desire to expand one’s knowledge and understanding of the world is not synonymous with books, no matter how much Doris and Nick wishes that it were. It used to be, yes — and for the kinds of places that Ms. Lessing talks about in her speech, it still is. But it’s quite a leap to say that blogs and the Internet in general are just a waste of time compared with anything book-related. I would have expected a bit more insight from Ms. Lessing.

As Shelley points out at Burningbird, wasting time and mindless entertainment in general have a long and storied history that stretches back through the entirety of human history — it is no more a product of the Internet than it was a product of radio, or the “talkies,” or cave paintings and getting drunk on fermented wheat were thousands of years ago.

More evidence that free is better

The data points continue to pile up in favour of the decision by the New York Times to drop its subscription service: according to a post over at TechCrunch, traffic to the NYT website has climbed by more than 60 per cent since the wall was removed at the beginning of September. ComScore’s latest survey apparently shows that the Times got 19.4 million visitors in October, compared with about 12 million in August — for an increase of 7.5 million or 64 per cent. There are issues with comScore, as there are with most of the major measurement firms, but when combined with the New York Times traffic numbers that I recently mentioned from Nielsen, it’s obvious where the overall trend is going.

Andrew Keen: Totally wrong, as usual

Andrew Keen, my favourite Web 2.0 iconoclast (which is Latin for “almost always wrong”), has a typically irascible blog post in response to a New York Times article on Radiohead over the weekend. Andrew’s point — stay with me here — is that by offering its own music through its own website directly to fans, the British band is doing the entire music business a disservice, and we should all be outraged.

This is classic Keen. He’s asking us to support a business model that virtually anyone with a pulse — including many of those who work in the industry, including rapper 50 Cent — knows is fundamentally broken, and to side with the members of that industry rather than the actual artists whose work is the lifeblood of the business, but who are routinely taken advantage of by that industry. In fact, he’s not just asking us to do that, he’s incensed at the idea that anyone would do otherwise.

This is a little like getting mad at a painter who decides to show his or her work privately and then sell the paintings to whoever wants them. How dare they do this? What about the poor art gallery representatives, and the dealers? In fact, you could substitute just about any creative professional or “content creator” for Radiohead in this case — author, dancer, celebrity chef — and Keen’s argument looks just as absurd.

The fact is that Radiohead is still supporting all of the people who matter: In other words, themselves, their loved ones, their roadies and sound engineers and studio professionals. As usual, Keen wants us to sympathize with the infrastructure instead of the actual creative people within that infrastructure. Why? Because he’s Andrew Keen, that’s why.

LinkedIn and Facebook: Collision course?

LinkedIn, the business-networking site that many (including me) see as an also-ran in the social-networking game, has launched some new features, including a redesigned homepage and a rollout of its previously announced developer platform, which it hopes will make its network as extensible as Facebook has with the F8 platform. Eric Eldon says the changes put LinkedIn ahead, but I must admit that I’m skeptical.

I know that many of my friends who are either looking for work or have been in the past say they get a lot out of LinkedIn, and I’m not saying it doesn’t have value — I think it does, although like my friend Mark Evans I rarely use it. It’s also good to see the network moving forward, even if most of what it is offering seems a little old (I mean, profile pictures? Come on). But the addition of things like a news aggregator for members and on-site messaging could make it more sticky.

That said, I still think that Facebook has a better value proposition for more people, and a better platform. I think the range of things you can do with and on the site is broader, and I think a site that is strictly business-oriented ignores the fact that people have a range of interests and relationships with their friends that in many cases goes beyond just the corporate (and I think Anne Zelenka of GigaOm agrees).

The alternative argument, of course, is that Facebook is just for twentysomethings who want to poke each other and put up goofy pictures. I think Facebook is moving away from that, and has been for some time. It will be interesting to see whether LinkedIn tries to become even more social, or whether it decides to stick to being primarily about business relationships.

Politics 2.0: Learning the lessons

Matt Bai, who is starting a new political blog next week covering the U.S. election campaign, has a piece in the New York Times today about what might loosely be called Politics 2.0 — the use of blogs and Facebook and other social media as part of a campaign. He says the major parties have tried to adopt the tactics first used by the Howard Dean campaign in 2004, but have missed the point on a number of things:

“It seems clear that the candidates and their advisers absorbed the wrong lessons from Dean’s moment, or at least they failed to grasp an essential truth of it, which is that these things can’t really be orchestrated.

Dean’s campaign didn’t explode online because he somehow figured out a way to channel online politics; he managed this feat because his campaign, almost by accident, became channeled by people he had never met.”

Bai describes how Ron Paul supporters — who had nothing to do with the official campaign — organized their own online fundraiser for the candidate on Guy Fawkes Day and pulled in more than $4-million and over 20,000 contributors in a single day, which turns out to be the largest one-day haul of any Republican candidate to date. Even Ron Paul’s campaign probably doesn’t have a clue how or why it happened.

The point Matt Bai is trying to make is related to my point about online community: You can’t create one, just as you can’t create a “viral” hit, or in fact an online sensation of any kind. You can create what you think are the right conditions for such a thing to grow, and hope to encourage one that already exists to adopt you, but other than that you have very little control. Anyone who claims otherwise is selling something.

Fiddy Cent on P2P: Artists need to deal

Torrentfreak has news of some frank talk from the man whose mom calls him Curtis James Jackson III, but who is better known as the rapper 50 Cent (not to be confused with Canadian rapper Buck 65). In an interview with a Norwegian news outlet of some kind — you can read more about it here, if you understand Norwegian — Fiddy talked about the impact of downloading and what artists should do about it. The money quote is here:

“The advances in technology impact everyone, and we all must adapt. Most of all hip-hop, a style of music dependent upon a youthful audience… what is important for the music industry to understand is that this really doesn’t hurt the artists.”

and later:

“A young fan may be just as devout and dedicated no matter if he bought it or stole it.”

For more thoughts on the evolution of music and the struggle to change the industry, check out Music 2.0, where Maths has posted a longish — but definitely worthwhile — analysis.