{"id":471,"date":"2006-08-21T18:02:31","date_gmt":"2006-08-21T22:02:31","guid":{"rendered":"http:\/\/www.mathewingram.com\/work\/2006\/08\/21\/bad-guitarists-of-the-world-unite\/"},"modified":"2006-08-21T18:02:31","modified_gmt":"2006-08-21T22:02:31","slug":"bad-guitarists-of-the-world-unite","status":"publish","type":"post","link":"https:\/\/mathewingram.com\/work\/2006\/08\/21\/bad-guitarists-of-the-world-unite\/","title":{"rendered":"Bad guitarists of the world, unite!"},"content":{"rendered":"<p>Courtesy of <a href=\"http:\/\/www.newsome.org\/2006\/08\/music-industry-tells-budding-musicians.shtml\">Kent Newsome&#8217;s blog<\/a>, I see that the recording industry &#8212; having obviously failed to find any more babies to poison or dogs to kick &#8212; is going after guitar tablature sites such as Olga, as <a href=\"http:\/\/www.nytimes.com\/2006\/08\/21\/technology\/21ecom.html\">chronicled<\/a> in the New York Times (as Slashdot points out, this isn&#8217;t the first time Olga has come under fire; the Harry Fox agency, which owns the publishing rights to most top hits, went after the tab site <a href=\"http:\/\/slashdot.org\/articles\/98\/06\/10\/1149246.shtml?tid=95\">in 1998<\/a>). <\/p>\n<p>Like many other professional and amateur guitarists, including Kent, I have used Olga.net for years to find transcribed music that I am trying to learn (in my case, so that I can play old John Prine songs out on my back porch or at a campfire, rather than having to play Leaving On a Jet Plane or whatever my friends really want me to play). In many cases the music that I would come across was wrong or incomplete, but invariably someone would correct it, or post a different file so people could try them both. Kind of like an early version of social networking.<\/p>\n<p>The industry (which comes under some heavy fire from J. Botter <a href=\"http:\/\/jbotter.wordpress.com\/2006\/08\/21\/you-suck-music-industry\/\">here<\/a>), is arguing that tabs are a &#8220;derivative work,&#8221; and therefore are an infringement of the original artist&#8217;s copyright. Sadly, at least one lawyer (and guitarist) thinks that they <a href=\"http:\/\/www.publicknowledge.org\/node\/592\">might be right<\/a>, and that the principle of &#8220;fair use&#8221; might not be enough to allow Olga and other sites like it to survive. I hope that he is wrong. <\/p>\n<p>I think Thomas Vander Wal is right when he says this it is just another example of the tension between <a href=\"http:\/\/www.vanderwal.net\/random\/entrysel.php?blog=1862\">sharing and owning<\/a>. More discussion <a href=\"http:\/\/www.guitarnoise.com\/forums\/viewtopic.php?t=26207&amp;postdays=0&amp;postorder=asc&amp;start=75&amp;sid=1da52b7b6ecfe479f39ef73231a426ee\">here<\/a>. And in a crashing irony, Joe Gratz &#8212; a recent law-school graduate &#8212; says the original closure of Olga was one of the things that got him interested in <a href=\"http:\/\/www.joegratz.net\/archives\/2006\/08\/21\/olga-shut-down-again\/\">studying copyright law<\/a>.<\/p>\n<div class=\"syndication-links\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Courtesy of Kent Newsome&#8217;s blog, I see that the recording industry &#8212; having obviously failed to find any more babies to poison or dogs to kick &#8212; is going after guitar tablature sites such as Olga, as chronicled in the New York Times (as Slashdot points out, this isn&#8217;t the first time Olga has come &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/mathewingram.com\/work\/2006\/08\/21\/bad-guitarists-of-the-world-unite\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Bad guitarists of the world, unite!&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crsspst_to_mathewingramblogwordpresscom":false,"mf2_syndication":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-471","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/posts\/471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/comments?post=471"}],"version-history":[{"count":0,"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/posts\/471\/revisions"}],"wp:attachment":[{"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/media?parent=471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/categories?post=471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/tags?post=471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}