{"id":2105,"date":"2008-01-12T13:00:48","date_gmt":"2008-01-12T18:00:48","guid":{"rendered":"http:\/\/www.mathewingram.com\/work\/2008\/01\/12\/writers-strike-and-web-video-a-continuum\/"},"modified":"2008-01-12T13:00:48","modified_gmt":"2008-01-12T18:00:48","slug":"writers-strike-and-web-video-a-continuum","status":"publish","type":"post","link":"https:\/\/mathewingram.com\/work\/2008\/01\/12\/writers-strike-and-web-video-a-continuum\/","title":{"rendered":"Writers&#8217; strike and Web video: A continuum"},"content":{"rendered":"<p>Some more details from Liz Gannes over at NewTeeVee about the efforts of movie writer Aaron Mendelsohn and some fellow striking writers to put together a mini-studio to <a href=\"http:\/\/newteevee.com\/2008\/01\/11\/striking-writers-to-launch-online-video-co-seeking-30m\/\">produce Web content<\/a>. They&#8217;re looking for VCs to put up $30-million or so to launch their studio, Virtual Artists &#8212; a name that appears to be a reference to United Artists, the seminal 1920s studio founded by Charlie Chaplin and others.<\/p>\n<p>Incidentally, it&#8217;s worth remembering, as Paul Kafka <a href=\"http:\/\/www.alleyinsider.com\/2008\/01\/unemployed-writer-would-like-30-million-new-company.html\">points out<\/a> at Silicon Alley Insider, that United Artists didn&#8217;t <a href=\"http:\/\/en.wikipedia.org\/wiki\/United_Artists#The_early_years\">work out so well<\/a>, in part because movies became longer and more expensive to produce. Most of those who formed the studio were also well-known actors &#8212; in other words, the &#8220;talent,&#8221; and not just a bunch of writers whom most of Hollywood (rightly or wrongly) assumes are a dime a dozen.<\/p>\n<p>So will Mendelsohn and his gang be able to follow through on what Marc Andreessen <a href=\"http:\/\/blog.pmarca.com\/2007\/11\/rebuilding-holl.html\">recently described<\/a> as the remaking of Hollywood in Silicon Valley&#8217;s image? That remains to be seen. Kafka worries that the economics of Web video are <a href=\"http:\/\/www.alleyinsider.com\/2007\/09\/economics-of--1.html\">uncertain at best<\/a> and there is certainly <a href=\"http:\/\/www.alleyinsider.com\/2007\/12\/online-video-keep-your-day-job-part-2.html\">some evidence<\/a> that that is true. But why does it always have to be a black and white question of Web vs. traditional TV and movies?<\/p>\n<p>With <em>Quarterlife<\/em>, Marshall Hersovitz and Ed Zwick have shown that there can be a lot of overlap between TV and Web video, <a href=\"http:\/\/news.yahoo.com\/s\/nm\/20071117\/wr_nm\/quarterlife_dc\">in both directions<\/a>. Meanwhile, some comedians, actors and directors who started with short video clips &#8212; Andy Samberg and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Andy_Samberg\">the Lonely Island crew<\/a> come to mind &#8212; have managed to extend that into more traditional (and presumably lucrative) spheres. To me it seems a lot more like a continuum than a black and white separation of worlds.<\/p>\n<div class=\"syndication-links\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Some more details from Liz Gannes over at NewTeeVee about the efforts of movie writer Aaron Mendelsohn and some fellow striking writers to put together a mini-studio to produce Web content. They&#8217;re looking for VCs to put up $30-million or so to launch their studio, Virtual Artists &#8212; a name that appears to be a &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/mathewingram.com\/work\/2008\/01\/12\/writers-strike-and-web-video-a-continuum\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Writers&#8217; strike and Web video: A continuum&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crsspst_to_mathewingramblogwordpresscom":false,"mf2_syndication":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-2105","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/posts\/2105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/comments?post=2105"}],"version-history":[{"count":0,"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/posts\/2105\/revisions"}],"wp:attachment":[{"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/media?parent=2105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/categories?post=2105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mathewingram.com\/work\/wp-json\/wp\/v2\/tags?post=2105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}