Many mornings, Dani Clode wakes up, straps a robotic thumb to one of her hands, and gets to work, poring through reams of neuroscience data, sketching ideas for new prosthetic devices, and thinking about ways to augment the human body. Clode works as a specialist at the University of Cambridge’s Plasticity Lab, which studies the neuroscience of assistive devices. But she also creates prosthetics, ones that often fall outside the conventional bounds of functionality and aesthetics. Her designs include a clear acrylic forearm prosthetic with an internal metronome that beats in sync with the wearer’s heart and an arm made with rearrangeable sections of resin, polished wood, moss, bronze, gold, rhodium, and cork. Clode’s current project is a “third thumb” that anyone can use to augment their grip.
Why are flood myths so common in cultures around the world?
As the anthropologist Claude Lévi-Strauss notes in “The Structural Study of Myth,” there is an “astounding similarity between myths collected in widely different regions.” From the city-states of ancient Greece to the hunter-gatherer tribes of the Amazon rainforest, cultures everywhere have preserved suspiciously similar stories. Especially common are stories about world-ending floods and the chosen individuals that managed to survive them, like the biblical Noah and Utnapishtim, the ark builder in the Epic of Gilgamesh, a text thought to be even older than the Abrahamic religions. In Aztec mythology, a man named Tata and his wife Nena carve out a cypress tree after being warned of a coming deluge by the god Tezcatlipoca, while Manu, the first man in Hindu folklore, was visited by a fish that guided his boat to the peak of a mountain. The list goes on.
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