Media shifting online: IDG success story

There’s a fascinating piece in the New York Times looking at IDG — the world’s largest publisher of tech-related magazines — and how it has been transformed from a print entity into what has increasingly become an online-only entity:

“In 2002, 86 percent of the revenue from I.D.G.’s publications came from print and 14 percent online. These days, 52 percent of the revenue is from online ads, while 48 percent is from the print side.”

That’s a remarkable shift. In some cases, magazines continue to be printed but come together primarily online, and in other cases — such as InfoWorld — the print magazine has been closed completely and the publication is solely online. And the business is better:

“Today, I.D.G. says, the InfoWorld Web site is generating ad revenue of $1.6 million a month with operating profit margins of 37 percent. A year earlier, when it had both print and online versions, InfoWorld had a slight operating loss on monthly revenue of $1.5 million.”

There is a dark lining to the silver cloud, however — the story says that IDG’s staff levels are 50-per-cent below where they were when the transformation started:

“By then, the editorial staff was down to its current level of 17 people, about half the number in 2002, and way below the peak of nearly 100 during the technology spending boom of the late 1990s.”

Still, a fascinating tale of one publisher that took the bull by the horns and made the change deliberately. As former editor Stewart Alsop says near the end of the piece: “What’s happening at I.D.G. is a fairly accurate map for every other publishing organization. Get over it, it’s going to happen.”

The Internet? What channel is that on?

It’s hard to imagine an example that sums up the conflicting ambitions and tensions within the TV business better than the latest announcement about Gossip Girl, the show that appears on the CW network (co-owned by CBS and Warner Brothers). The news from the network is that fans will no longer be able to watch episodes online, as they have been since it started airing last fall. Instead, CW would like viewers of the show — which is all about a girl and her blog, and was effectively created in part to piggyback on the online habits of its target audience — to watch it only on television.

That’s ironic enough, of course – a show that’s all about how young people are turning to the Web and social media, but you can’t watch it online. The reasoning behind the decision is even more illuminating, however: in effect, the network is saying that the show has become too popular with fans online, and they would like to shift some of those eyeballs to the tube instead. Why? Because that’s where the advertisers are. Advertising on TV still brings in far more revenue per viewer than online, and CW needs to build up the former at the expense of the latter.

In reality, of course, the network may end up irritating the core group of viewers — many of whom enjoy the freedom of watching a stream online whenever they want — and the show could go down the drain regardless.

What is “the news”? Good question

There have been a number of threads floating around the blogosphere recently that have to do with traditional media vs. “new media,” and the differences between the two — something that this article in the New York Observer got me thinking about again. There was the TechCrunch post about ads in Twitter, which was somewhat lacking in facts; there was the idea that journalism online has become much more of a process or continuum rather than an end in itself; and then there was the whole concept of “if the news is that important, it will find me,” which I wrote about.

I wanted to try and pull a few of those together because, well… that’s how I roll. Plus, it’s something I’ve been thinking about a fair bit, and writing about it helps me think. So bear with me (or not). If you look at some of the comments on my post about the Twitter ads story, as well as on other posts about it, you can see people talking about how it “wasn’t a story,” and suggesting — as Nate Westheimer did — that traditional media, with editors and so on, would never run something like that. I’d like Nate to read the New York Observer piece and see if he still feels the same way.

Would a newspaper or TV station or magazine have run with a Twitter story like TechCrunch did? Maybe not. But the fact is that plenty of poorly-sourced or single-sourced or anonymous-sourced stories show up in newspapers all the time — and not just the Enquirer or People magazine, but in the Wall Street Journal or the New York Times. And it’s not only stories about nuclear weapons in Iraq either — it’s stories that are about celebrities, or wealthy Wall Street types, or politicians. Sometimes, a story is just too good to pass up, even if it’s shaky.

That’s why it’s actually a good thing that news is becoming more of a process (which it always has been). Instead of trying to pump rumours and innuendo into full-fledged stories that deserve a premier spot in the paper, journalists can toss things into the ether when they think there is more to a story, and then update the story as it develops, something Mike Arrington said at mesh 2007 that he sometimes does. This is frequently messy, which is why I like to adapt the old saying about “if you love the law or sausages, don’t watch either one being made” to apply to the media. It’s not pretty, but it is occasionally true.

And that brings me back to the idea of “news.” What do we mean when we use that word, or when we say something like “if the news is that important, it will find me?” Some people responded to my post on that concept by saying they weren’t confident that “real” news would find them, by which I think they meant news of the U.S. election, or war in Sudan. But that’s only one small part of the definition of “news” — something that every person is probably going to define differently, and may even define differently depending on what day it is.

Is the Web to blame for creating “news” out of nowhere, as the New York Observer article suggests? I don’t think so. Newspapers have been doing that for about a hundred years. The Web is probably accelerating and amplifying that phenomenon — but at the same time, a proliferation of sources is also helping to nip such stories in the bud a lot sooner.

Of blogs, accuracy and editors

While watching the Twitter posts fly by last night, I saw some from Robert Scoble (of course) talking about advertising, and suggesting to Twitter founder Ev Williams that he be allowed to share in the revenue from ads on the group IM service. Oh, I thought — is Twitter finally launching ads? Then came a post at TechCrunch that said it was. Or was it? Apparently not, according to Silicon Alley Insider, which emailed Biz Stone at Twitter and got a denial that any such plans were in the works.

As it turned out, a background image from Chinese Business Network blogger Christine Lu’s profile pic on Twitter popped up in a yellow box somehow, which made it look like an ad for the network, as she explained in a comment on the TechCrunch post. In other words, no story, right? Except that Duncan Riley of TechCrunch said in a subsequent comment that “ads are coming, it’s just a matter of when.” As more than one person has pointed out, however — including Frederic at The Last Podcast — this assertion comes without any real facts to back it up.

Nate Westheimer, a contributor to Silicon Alley Insider, also has a curious blog post in which he laments the state of blogging, which he says doesn’t pay enough attention to accuracy, and he uses Duncan’s post as an example. Which is fair enough, of course — except that Nate’s post is riddled with errors, including two different spellings of Duncan’s last name and a couple of spelling and grammatical mistakes. Fair enough, you might say — as Nate points out in a comment, he isn’t really a reporter. So is Duncan a reporter? Well, maybe he is and maybe he isn’t.

Duncan and I have had our differences in the past, but I’m not here to beat up on him for the Twitter story. Should he have run with it based on what turned out to be very little factual information? I don’t see why not — but I think it should have been updated later, as others have. Nate says that this shows “the importance of journalistic standards, especially that of using reliable sources and having a standard for truth.” I’m not going to argue with that — having editors is a great thing (mostly). But journalism is about speed as well. It’s a classic battle between going with the story because you’re out of time, and checking one more source or fact.

This isn’t something the blogosphere invented — wire services like Reuters and Associated Press have been operating this way for decades. Report something as quickly as possible, then fix the mistakes later. It’s when the mistakes don’t get fixed that we have something to worry about, and as Thord Daniel Hedengren reminds us, we could all probably do better at that — regardless of what we call ourselves.

Journalism: Not an end but a process

Jeff Jarvis has an interesting post up about the evolution of media online, and he must have taken some time with it because it has graphics and everything — just kidding, Jeff :-) But seriously, Jeff’s general point I think is well-taken: that the way journalism occurs has changed, and is continuing to change. Like most other forms of content, instead of a one-way, production-line approach in which news is manufactured (metaphorically speaking) by mainstream media entities and then distributed to news consumers, the news — and I’m using that term broadly — occurs and is reported, then more details emerge, other sources join in, the story advances, and so on. In other words, a process.

This is not really new, in the sense that Jeff and others (including yours truly) have been saying it for some time now. But it bears repeating, if only because some media entities are only now coming to realize just how much their business is changing. As a friend of mine who used to work at the Washington Post’s website has said often, there is a whole generation of editors who need to realize that we are moving from the “report, write, edit, publish” model to something more like a “report, write, edit, publish, edit, write, report, publish” model. It never stops.

Let’s be clear about something: I’m not saying that journalists — whatever their background, whether it’s mainstream media or blogging — should stop caring whether something is right, or should rush to publish something because someone else will fix their mistakes. And it’s true that expensive investigative reporting is almost always going to be the province of the established media. This isn’t some kind of blogosphere triumphalism thing I’m pushing here. But I think only an idiot would argue that journalism hasn’t changed, or that the industry can continue to do things the way it has done for centuries. It has, and it can’t.

There’s more in Jeff’s post than I have dealt with here, so I encourage you to go and read the whole thing. And if you just can’t get enough of people writing about the future of newspapers and the media online, Britannica has an ongoing debate about whether newspapers are doomed.